Music Software & Bad Interface Design: Avid’s Sibelius

Tantacrul8 HN recommenders · 2019–2026
1.7M views · commentary · evergreen · Uploaded 2018-11-15

Tantacrul dissects the UX and UI of Avid's Sibelius music notation software, going through a long list of bad design choices. The review is both a comic rant and a practical lesson in interface design.

Recommended as the most entertaining serious critique of a software interface, and a crash course in UX mistakes.

Watch on YouTube

16 comments from Hacker News

@rgoulter2019 · in “Whitespace killed an enterprise app”

This entertaining diatribe about Sibelius' difficult to use design mentions poor use of a Ribbon. [VIDEO]

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@xmprt2019 · in “The Distribution of Users’ Computer Skills: Worse Than You Think (2016)”

The solution isn't to put things in preference windows either because even smart users will find that cumbersome. There's an interesting pair of videos (if you have some time) that goes over the UI of two competing music scoring software and why one is bad and the other good. [VIDEO] [LINK]

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@SeanLuke2020 · in “Apple unveils biggest update to Logic since the launch of Logic Pro X”

> That's plausible but AVID Pro Tools is even more prestigious than Logic and AVID's market cap is only $250 million[0]. In no universe is Pro Tools more prestigious than any of its competition. I think Pro Tools is viewed as The Thing That All Studio PHB Managers Purchased At Some Point So It's Reasonable For Studio Techs to Be Trained For. Kind of the "nobody ever got fired for picking IBM" of the music industry. In my opinion, AVID does not have a reputation for making innovative products. See what happened when they acquired Sibelius ( [VIDEO] ). My limited experience with the industry suggests that Ableton, Bitwig, and Logic are the Cool Tools for Producing Music, that Cubase (Steinberg) is particularly popular with composers, that FL Studio is the cool low-cost leader among students, and that Reason is The Outsider. Notice which software is not in this list.

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@sjwright2020 · in “MuseScore 4: Moving from notation software to composition software”

The cheese melts in the microwave; the music melts in Sibelius. Tantacrul’s review of Sibelius’ might be the most entertaining serious critique of a software user interface ever posted to YouTube. [VIDEO]

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@ohazi2020 · in “Update on MuseScore 3.6 and 4.0”

For those out of the loop: Tantacrul is a composer who put together some hilariously scathing UI/UX video reviews for some popular composing software tools out there, including MuseScore [1] [2] [3]. The team developing MuseScore then brought him on as head of design. [1] Sibelius: [VIDEO] [2] MuseScore: [LINK] [3] Dorico: [LINK]

@ArchieMaclean2021 · in “Fuckin' user interface design, I swear”

My favourite example of this is Sibelius. The 'Quit Sibelius' button is precisely where you'd expect to find the 'Next' button. This video shows it at 6:33 [VIDEO]

@wexq2021 · in “Audacity Aquired by Muse Group”

OSS needs more UI/UX people, and I think Tantacrul is fantastic for this. His twitter ( [LINK] ) and youtube ( [LINK] ) are full of interesting tidbits, an you can tell he's passionate about things. Even if you don't do music/notation his video on Sibelius, [VIDEO] , is ridiculously funny, but also on point.

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@btown2021 · in “‘Jean Sibelius’ Review: An Early Finale”

Since Sibelius and Finale are two industry-leading (and very much competing) music notation software systems, this headline made me do a quadruple-take! [LINK] [LINK] For those interested in (extremely entertaining) breakdowns of the Sibelius software and other offerings in this space from a UI/UX design perspective, I highly recommend Tantacrul's videos, which propelled him to becoming the head designer for MuseScore and Audacity. IMO, this and his Dorico video are must-watch crash-courses for any developer touching UX design, even outside of music! [VIDEO]

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@robocat2021 · in “Ask HN: I’d like to hire a personal/executive assistant – any tips or advice?”

> doing things like automating certain workflows where possible, building some custom tools, etc. The goal is to slowly transition to working as a programmer at Steinberg or Ableton or something like that, and then start my own company. I presume you’ve contacted tantacrul[1] who is now working[2] redesigning Audacity, with a hilarious video on the hellscape of a UI that is Sibelius[3]. I am guessing becoming a UI designer for a major piece of software is less difficult than becoming a composer? [1] [LINK] [2] [LINK] [3] [VIDEO] Thank you for your story - it is a good reminder of the risks we face.

@TremendousJudge2022 · in “Clairnote: An alternative music notation system”

We are very, very far away from that. To get a feel of what scorewriter software is like nowadays, Tantacrul's videos[0] on the subject of UI are very good at showing what the state of the art is. On one of his videos he shows that the best score engraving can only be achieved by using a closed source, now-unsupported command line program from the 80s called Score[1] [0] [VIDEO] [1] [LINK]

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@radicality2022 · in “MuseScore 4”

Obligatory funny video review of MuseScore 3 UI: [LINK] Same author also has a funny video on the UI of another music notation program, Sibelius: [VIDEO]

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@l__l2023 · in “MuseScore 4.1 is now available”

If anyone is yet to see it, Tantacrul (on youtube) is now deeply involved with MuseScore (UX lead or similar?); he put out an awesome vid on the design of MS4 at the beginning of the year: [LINK] His video on how Sibelius' UX is a pile of shit remains one of my favourite vids on yt: [VIDEO]

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@Gansejunge2023 · in “Unity's oldest community announces dissolution”

I was wondering why the name Avid was familiar but also had a negative connotation in my head, then I remembered it was from a YouTube video [1] about how horrible its interface is. 1. [VIDEO]

@amiga3862024 · in “Printing Music with CSS Grid”

That's very much it. You could also make an analogy to the arts of typography and typesetting. It's of the same importance to a composer or musician that the notation is legible and beautiful, as it is to a graphic designer or reader that type and layout are legible and beautiful. If the GP is interested in the topic, there are great videos by Tantacrul on his experience redesigning the notation font for MuseScore [0] and his overview of MuseScore 4.0's engraving improvements [1] - in particular this second video, concerning mainly layout, shows just how far this CSS approach would have to go to have a truly legible, reflowable layout in the face of beams/slurs/ties. (I don't want to take away from anyone on the Sibelius team, they're likely even better experts on the subject than Tantacrul is, but as far as I know, they didn't make long-form Youtube videos about the topic! He also likely got the job of leading the MuseScore redesign thanks to his previous videos that critiqued and reimagined the interfaces of music composition software... including older versions of Sibelius [2] and MuseScore [3]) [0] [LINK] [1] [LINK] [2] [VIDEO] [3] [LINK]

@wildrhythms2024 · in “The End of Finale”

Relevant Tantacrul video on the erosion of the Sibelius UI: [VIDEO] I used Sibelius extensively circa version 5, and refused to upgrade for many years. I used it to get through my music minor in college. I still have the installer and a k*ygen on a hard drive somewhere since they stopped selling licenses to it and I lost mine. Still my preferred software, and yes I've tried Musescore. It's not nearly the same. Old software still works.

@zimpenfish2026 · in “Twenty Years of RISC OS Open”

Obligatory posting of Tantacrul's hilariously vicious kicking of Sibelius[0] "This really is one of the great examples of breaking all UI design principles and every UX design principle too. It's like a design bull in a musical china shop." [VIDEO] [0] They may have fixed things in the intervening 8 years, I'm not a composer, I don't know.