J.S. Bach - Toccata and Fugue in D minor BWV 565
JustASuicidalGirl3 HN recommenders · 2016–2025
14.3M views · music · evergreen · Uploaded 2010-09-29
Organist Hans-Andre Stamm performs Bach's Toccata and Fugue in D minor, BWV 565, on the Trost organ in Waltershausen, Germany, an instrument from 1730. The video shows the playing and footwork.
Recommended as an expressive performance on a historically significant organ with good videography.
18:09Video explains the world's most important 6-sec drum loop
Landon Proctor
6:18Fear the Boom and Bust: Keynes vs. Hayek - The Original Economics Rap Battle!
Radical Discourse
3:40Adriano Celentano - Prisencolinensinainciusol
Le Pietre Rotolanti
4:53Youtube duet: Miles Davis improvising on LCD Soundsystem
Alessandro Grespan
6:30:32The Caretaker - Everywhere At The End Of Time - Stages 1-6 (Complete)
vvmtest
1:05:56Steve Reich, "Music for 18 Musicians" - FULL PERFORMANCE with eighth blackbird
Vic Firth
3:54OK Go - This Too Shall Pass - Rube Goldberg Machine - Official Video
OK Go
5:09MC Frontalot - It Is Pitch Dark
MC Frontalot
3 comments from Hacker News
I love organ music; but you have to listen to it live. The low notes don't come across properly on recorded media (also you don't feel your chest resonate). Bach's Toccata and Fugue in D Minor, one of the most famous pieces of organ music ever, played on an organ built in 1730 (and, if I read the history right, it was actually specified by Bach): [VIDEO] You can hear the recording simply outright fail on the low notes. The organ has a 32-foot pipe, which produces 16Hz notes. The reocrding simply doesn't do it justice; if you ever get the chance, listen to it live; it's an almost transcendent experience. There are, however, apparently two organs in the world with 64-foot pipes (8Hz!) and several more which can synthesise an 8Hz subharmonic using smaller pipes, but I haven't found a recording I trust of it yet.
I agree but I also would remind you that the player plays a large role in keyed music. For example, constant velocity MIDI makes a dissonant slaughter of any harmonic music, and totally destroys the swing of rythymic music. A player with the wrong motivation or lacking passion, pretty much reduces to a souped up MIDI. Organs are especially expressive, even more so than pianos. Try listening to the "Frankenstein music" from Bach, it is pretty easy to relate to and Hans-Andre Stamm plays it on an appropriately large church organ with the necessary emotion and "godhead" existential feeling/motivation behind it. [VIDEO]
My absolute personal favourite is Toccata and Fugue played by organist Hans-André Stamm on the Trost-Organ of the Stadtkirche in Waltershausen [1]. Great videography, great organ and very expressive organist. From 3:28 on you can also see the foot work. [1] [VIDEO]